Avec une sortie prévue demain sur Crunchyroll, Kaiju No 8 fracasse nos idées reçues sur les histoires de monstres.

Anti-piracy organization CODA (Content Overseas Distribution Association) is a permanent fixture on the front lines of Japan’s war against online piracy.

CODA represents the interests of around 30 corporate entities doing business in the publishing, media, movie, music, and wider entertainment industries. Members include publishers Kadokawa, Shueisha, Kodansha, and Shogakukan, through to videogame/publishing giants Square Enix and Bandai Namco. From the broadcasting sector, there’s NHK, Nippon, and Nikkatsu, to name just a few.

While these names represent just a sample of the individual companies represented by CODA, the anti-piracy group also has around ten ‘organizational’ members. These are trade groups in their own right and have members of their own.

They include the Japan Satellite Broadcasting Association, Motion Picture Producers Association of Japan, Japan Video Software Association, Japan Magazine Publishers Association, Association of Japanese Animations, plus several others involved in the videogame, software, and content protection legal sectors.

Popularity of Japanese Content Fuels Massive Levels of Piracy

The scale of the content protection challenge faced by CODA is difficult to overstate. The anti-piracy group is refreshingly open with its research and data, which as an observer makes it easier to connect with and appreciate the big numbers, rather than simply reciting them without relevant context.

Japan’s online piracy issues are a constant, much as they are in any other country, but more recent estimates reveal illicit consumption’s startling growth.

A major problem estimated to be worth less than 500 billion yen (US$3.3bn) back in 2019 took just three years to transform itself into a ~2 trillion yen ($13.2bn) piracy nightmare. Videogame piracy skyrocketed in the period leading to 2022, but it’s the products of the publishing and film industries that attract the lion’s share of all piracy, much of it taking place and directed from overseas.

CODA & MPA Officially Extend 10-Year Anti-Piracy Partnership

On March 20, 2014, CODA and the Motion Picture Association (MPA) signed an agreement to develop new strategies to tackle online copyright infringement worldwide, and to strengthen their joint copyright protection activities. The agreement, renewed another five times since then, has just reached its 10th anniversary and the event was marked with another renewal.

Last week at MPA headquarters in Washington, D.C., CODA and the Motion Picture Association signed an official memorandum of understanding (MOU) to extend the term of their agreement until 2026.

“On the day, MPA’s Karin Temple (Senior Executive Vice President and Global General Counsel) and CODA’s Representative Director Takeo Goto signed the agreement, and at the signing ceremony, each pledged further collaboration,” a CODA statement reads.

“CODA and MPA began a business partnership in 2005 to combat physical piracy in the Asian region, and have since built a strong partnership by signing a 10-year MOU starting in 2014. CODA and MPA’s joint enforcement efforts have achieved great results, including implementing many anti-piracy measures in the Asia-Pacific and beyond, resulting in tens of thousands of crackdowns.”

Joint Success, Massive Budget Disparities

CODA data shows that from January 2005 to March 2023, collaboration with the MPA generated thousands of enforcement cases. In China, 13,820 cases led to the arrest of 304 people, in Hong Kong 1,318 cases led to 1,275 arrests, and in Taiwan, 2,233 people were arrested as part of 2,215 enforcement operations.

From physical piracy operations to more recent actions targeting pirate IPTV in Taiwan, CODA deals with problems wherever it finds them.

A major issue faced by CODA relates to its budget for overseas anti-piracy enforcement. Funding for overseas anti-piracy efforts is allocated as a proportion of overseas sales and CODA’s members simply don’t do enough overseas business to compete with the MPA, CODA explains.

Annual dues for the six major studios for piracy-fighting actions carried out by the MPA total $50m. CODA says that Disney’s sales alone out-volume the combined sales of Toei, Toho, Shochiku, and Kadokawa, at a rate of 16 to 1.

Given the disparity, the opportunity to conduct joint enforcement work with the MPA is clearly a massive boost for CODA’s members. At a time when Japanese content is in demand like never before in overseas markets, it’s especially important. As the market stands right now, however, only a minority of overseas consumers actually pay for it.

Enforcement Challenges Broadly Mimic Those of the MPA

In a presentation slide, CODA highlights how a typical pirate can operate if the operator wishes to remain anonymous. The original slide ‘The dark side of identifying operators of pirated sites’ is entirely in Japanese so here we’ve made best efforts to provide a like-for-like translation.

Some nuance may have been lost, but the common theme is undoubtedly a lack of ‘know your customer’ regimes from domain registration, to server rental, through to use of a CDN such as Cloudflare.

Considered a major irritant, the Njalla domain service is called out alongside Cloudflare.

“Began operations in April 2017. Sells ‘complete anonymity’. Founded by Peter Sunde, co-founder of The Pirate Bay. Users buy the rights to use domains purchased by Njalla. Njalla is the owner of the domain, Njalla does not disclose [user identities],” CODA writes.

“[Cloudflare] operates a distributed server system (user servers are hard to find). When Cloudflare discloses information, the site operator is also notified to that effect. The operator immediately moves the server,” the anti-piracy group contiues, adding:

“If you have basic knowledge of the Internet and can read and write simple English, you can operate a completely anonymous pirate site!”

Takedown Compliance: The Winner is….

In common with many anti-piracy groups, CODA sends large numbers of DMCA-style takedown notices to platforms including YouTube, Facebook, Daily Motion, and sundry local equivalents.

The data shows that CODA achieves a very high rate of compliance, in many cases above 99%. (Original slide in Japanese, our translations appear inside square brackets [ ])

Whether that’s due to CODA’s high-level accuracy (our knowledge of CODA suggests that they take accuracy very seriously) or adherence to strict local law, or even a combination of both, isn’t immediately clear. However, the stand-out figures here are returned by MEGA; every piece of content CODA asked MEGA to remove, was removed, earning the company a 100% compliance rate.

For reference, CODA’s members and their lines of business are listed below.
(Note: some companies may span more than one category but here they are listed only once)

### Anime and Entertainment Production
1. Aniplex Inc.
2. Cygames, Inc.
3. KADOKAWA CORPORATION
4. King Record Co., Ltd.
5. SHUEISHA Inc.
6. SHOGAKUKAN Inc.
7. Shogakukan-Shueisha Productions Co., Ltd.
8. SQUARE ENIX CO., LTD.
9. STUDIO GHIBLI INC.
10. TOEI ANIMATION CO., LTD.
11. TMS ENTERTAINMENT CO., LTD.

### Publishing and Media
12. ADK Emotions Inc.
13. KODANSHA LTD.
14. Nikkatsu Corporation
15. Nippon Television Network Corporation
16. Japan Broadcasting Corporation (NHK)
17. Shochiku Co., Ltd.
18. TOKYO BROADCASTING SYSTEM TELEVISION, INC.
19. TV Asahi Corporation
20. TV TOKYO Corporation
21. YOMIURI TELECASTING CORPORATION
22. WOWOW Inc.

### Film Production and Distribution
23. Happinet Phantom Studios Corporation
24. TOEI COMPANY, LTD.
25. TOHO CO., LTD.
26. Bandai Namco Filmworks Inc.

### Music and Record Labels
27. Avex Inc.
28. King Record Co., Ltd.
29. PONY CANYON INC.
30. UNIVERSAL MUSIC LLC

### Broadcasting
31. Fuji Television Network, Inc.

### Miscellaneous
32. FWD Inc. (Various services)
33. YOSHIMOTO KOGYO HOLDINGS CO., LTD. (Entertainment management and production)

Organizational members of CODA listed by category

### Media and Entertainment Associations
1. Japan Satellite Broadcasting Association
2. Motion Picture Producers Association of Japan
3. Japan Video Software Association
4. Japan Magazine Publishers Association
5. The Association of Japanese Animations

### Gaming and Software
6. Computer Entertainment Supplier’s Association
7. Association of Copyright for Computer Software
8. Digital Content Association of Japan

### Intellectual Property and Legal
9. Japan Patent Attorneys Association

### Anti-Counterfeiting
10. Anti-Counterfeiting Association

From: TF , for the latest news on copyright battles, piracy and more.

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Longtime Slashdot reader AmiMoJo shares a report from The Guardian: Akira Toriyama, the influential Japanese manga artist who created the Dragon Ball series, has died at the age of 68. He died on March 1 from an acute subdural haematoma. The news was confirmed by Bird Studio, the manga company that Toriyama founded in 1983. "It's our deep regret that he still had several works in the middle of creation with great enthusiasm," the studio wrote in a statement. "Also, he would have many more things to achieve." The studio remembered his "unique world of creation". "He has left many manga titles and works of art to this world," the statement read. "Thanks to the support of so many people around the world, he has been able to continue his creative activities for over 45 years." [...] Based on an earlier work titled Dragon Boy, Dragon Ball was serialized in 519 chapters in Weekly Shonen Jump from 1984 to 1995 and birthed a blockbuster franchise including an English-language comic book series, five distinct television adaptation -- with Dragon Ball Z the most familiar to western audiences -- and spin-offs, over 20 different films and a vast array of video games. The series -- a kung fu take on the shonen (or young adult) manga genre -- drew from Chinese and Hong Kong action films as well as Japanese folklore. It introduced audiences to the now-instantly familiar Son Goku -- a young martial arts trainee searching for seven magical orbs that will summon a mystical dragon -- as well as his ragtag gang of allies and enemies. You can learn more about Toriyama via the Dragon Ball Wiki. The Associated Press, Washington Post, and New York Times, among others, have all reported on his passing.

Read more of this story at Slashdot.

Akira Toriyama, Creator of Dragon Ball Manga Series, Dies Aged 68

Anime piracy site B9Good first appeared way back in 2008, initially operating under B9DM branding. Defying the usual odds, 15 years later the site was still alive and kicking.

Last March, Japan-based anti-piracy group CODA reported an estimate of B9Good’s traffic for the two years running up to February 2023. Based in China, the site had been accessed more than 300 million times and, crucially, around 95% of those visits came from Japan, mostly seeking access to Japanese content.

The China Complication

Rightsholders based outside China have long complained that tackling infringers inside the country can be extremely difficult. Key obstacles include safe harbors for intermediaries viewed as overprotective, and the so-called server principle , which turns on where infringing content is hosted.

This means that when infringing apps, websites and set-top boxes linked directly to China utilize pirated content hosted overseas, foreign rightsholders have limited opportunities to enforce their rights against their operators inside the country.

That raises the question of how Japan-based anti-piracy group CODA, representing several major Japanese anime rightsholders, were able to convince Chinese authorities to shut down B9Good, arrest its operators, and then prosecute them for criminal offenses.

With Planning and Patience, China Became Less Complex

After revealing a few details in 2023 when B9Good was targeted and later shut down , this morning CODA put more meat on the bones. The details arrived as part of an announcement celebrating three first-of-their-kind convictions which, seemingly for legal reasons, CODA has been sitting on for a few weeks.

CODA says that its work against B9Good dates back to 2016 when it filed an administrative complaint in China. In response, however, a site operator referred to as ‘Man A’ implemented geo-blocking measures at B9Good, then operating as B9DM, to give the impression the site had shut down, while continuing to infringe everywhere else.

With the launch of CODA’s International Enforcement Project (CBEP) in 2021, the anti-piracy group set out to personally identify the operators of pirate sites. After being identified in China, B9Good’s operators would soon discover that the country’s borders offered less protection than before.

CODA Levels Up in China

In January 2022, CODA’s Beijing office was recognized as an NGO with legitimate standing to protect the rights of its members, which include anime rightsholders Aniplex, TV Tokyo, Toei Animation, Toho, Japan Broadcasting Corporation (NHK), and Bandai Namco Film Works.

CODA filed a criminal complaint with the Public Security Bureau, and starting February 14, 2023, Chinese law enforcement began rounding up the B9Good team. In Jiangsu Province, a 33-year-old unemployed man was held on suspicion of operating B9Good. He was reportedly released a month later after confessing to his involvement. That led to the authorities seizing his home.

In the meantime, a 30-year-old woman living in Chengdu, a 38-year-old man from Shanghai, and a 34-year-old woman from Fuzhou City, were questioned at their homes. It was alleged that the women were paid by the site’s main operator to upload pirated content, while the man uploaded content to file-hosting sites to generate revenue from advertising. In total, 45,880 anime titles were made available via B9Good without permission from rightsholders.

Taizhou People’s Court Hands Down Sentences

On December 26, 2023, the People’s Court of Taizhou Pharmaceutical High-Tech Industrial Development Zone handed down three sentences. The main offender, Man A, was sentenced to three years in prison, suspended for three years and six months. In addition to the seizure of his home, he was fined 1.8 million yuan (38 million yen, US$253,000), an amount equivalent to the ad revenue he earned through B9Good. The conviction is now final after the appeal period ended.

Female B, who was paid by Man A to upload pirated anime to the site, was sentenced to one year in prison, suspended for one year and six months, for copyright infringement offenses. Female D, who also received payment for uploading pirated anime, was sentenced to eight months in prison and one year’s probation.

According to CODA, Man C, who allegedly generated revenue from pirated anime uploaded to file-hosting sites, was not sentenced. CODA doesn’t go into detail other than reporting that he was “subject to exemption measures stipulated by China’s criminal law.”

Sentences May Disappoint, But Value Lies in Convictions

For deterrent purposes, it’s likely that CODA would’ve preferred immediate custodial sentences, but this wasn’t simply a routine case that failed to live up to expectations. Under normal circumstances, a case like this wouldn’t have even gotten off the ground, let alone end in convictions.

“In this judgment, the punishment was reduced to a suspended sentence and the conviction was decided based on the fact that Man A was a first-time offender and that he voluntarily confessed, acknowledged the crime, and showed a willingness to accept punishment,” CODA explains.

“However, this is the first time that criminal penalties have been imposed on the operators and uploaders of overseas pirated sites due to an approach from Japan. CODA hopes that the recent crackdown and judgment against such malicious sites will have a significant impact on deterring the operation of similar pirated sites.

“In response to online infringements, which are causing damage worldwide, CODA will continue to proactively develop countermeasures beyond national borders, even if their operations are based overseas, and will continue to eliminate unauthorized use of Japanese content,” CODA concludes .

From: TF , for the latest news on copyright battles, piracy and more.

Saitama s'est fait attendre mais s'apprête enfin à signer son retour sur nos écrans dans une troisième saison qui s'annonce épique.